ARTISTIC COMMUNICATION AS A TYPE OF COMMUNICATION (17-20)

Архив в PDF формате
Дата публикации статьи в журнале: 2019/11/13
Название журнала: Восточно Европейский Научный Журнал, Выпуск: 50, Том: 8, Страницы в выпуске: 17-20
Автор: Synjavska L. I.
Odesa, Odesa National I. I. Mechnikov University, Ph.D
Анотация: The article reviews the peculiarities of artistic communication, in particular, in dramatic works. In the communicative theory, the dramatic text is interpreted as a special kind of linguistic expression in which the author addresses his or her intentions and motives to the reader through communicative strategies and tactics. By defining a dramatic work as a text and a type of statement through which communication between the addresser and the addressee is being fulfilled amid chosen communication strategies and tactics to achieve the pragmatic goal, we suggest our own classification of communicative strategies. We distinguish two types of communication strategies: 1) a communicative strategy of experimentation with a form of dramatic text; 2) content-based communicative strategy. These models of communication enable us to distinguish the following characteristics of communication in the dramatic text: the narrative as the basic category of the addressee's characteristic; dialogicity, theatricality, integrity, intertextuality, length in time and space, the ability to perceive, condense and transform information as a textual characteristic; game moment as a principle of reflecting reality in the text and addressee's perception, the ability to interpret and create new meanings of the text. These characteristics take into account all components of the communicative act in the dramatic text and help identify the communicative strategies of the text since they determine the specifics of the works of Ukrainian playwrights on the cusp of XIX-XX centuries
Ключевые слова: artistic communication   dramatic text   communicative strategies and tactics  
Данные для цитирования: Synjavska L. I., . ARTISTIC COMMUNICATION AS A TYPE OF COMMUNICATION (17-20). Восточно Европейский Научный Журнал. Филологические науки. 2019/11/13; 50(8):17-20.

Список литературы: Bakhtin, M. M. (1997). Iz arkhivnykh zapisey k rabote «Problemy rechevykh zhanrov». In Sobr.soch. v 7 t. T. 5. M.: Russkiye slovari, 207-286. Batsevich, F. S. (2004). Osnovi komuníkativnoí língvístiki (Pídruchnik). Kiív: Akademíya. Geyzinga, Y. (1994). Homo Ludens. Dosvíd viznachennya ígrovogo yelementa kul’turi. K.:Osnova. Yevreinov, N. N. (1911). Khudozhniki v teatre V. F. Komissarzhevskoy. In Pamyati Very Fedorovny Komissarzhevskoy. URL: https://www.twirpx.com/file/2402394/ Zhenett, Zh. (1998). Figury. Raboty po poetike. V 2-kh t. M.: Izd. im. Sabashnikovykh. Issers, O. S. (2002). Kommunikativnaya strategiya i taktika russkoy rechi. M.: URSS. Kamenskaya, O. L. (1990). Tekst i kommunikatsiya. M.: Vysshaya shkola. Kolshanskiy, G. V. (1980). Kontekstnaya semantika. M.: Nauka. Krasnikh, V. V. (2003). «Svoy» sredi «chuzhikh»: mif ili real’nost’? M.: ITDGK. Mal’kovskaya, I. A. (2005). Znak kommunikatsii. Diskursivnyye matritsy. M.: KomKniga. Medvedeva, L. M. (1989). O tipakh rechevykh aktov. In Vestnik Khar’kovskogo gos. un-ta. #339, 42 – 46. Pocheptsov, G. G. Teoríya komuníkatsíí. URL: http: // socium.ge/downloads/komunikaciisteoria/pochepcov%20teoria%20komunikacii.pdf Propp, V. Ya. (1968). Morfologiya skazki. M. Pyatigorskiy, A. M. (1962). Nekotoryye obshchiye zamechaniya opisatel’nogo rassmotreniya teksta kak raznovidnosti signala Strukturnotipologicheskiye issledovaniya. M.: Nauka. Selivanova, Ye.A. (2002). Osnovy lingvisticheskoy teorii teksta i kommunikatsii (Monogra- ficheskoye uchebnoye posobiye). Kiyev: Izd-vo ukr. Fitosotsiologicheskogo tsentra. Tarasov, Ye.F. (1975). Status i struktura teorii rechevoy kommunikatsii. In Problemy psikholingvsitiki. M., 139-150. Todorov, Tsv. (2006). Ponyattya líteraturi ta ínshí yese. K.: Kiêvo-Mogilyans’ka akademíya.