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Дата публикации статьи в журнале: 2020/03/16
Название журнала: Восточно Европейский Научный Журнал, Выпуск:
54, Том: 7,
Страницы в выпуске: 11-14
Автор: I. Orlov
Lipetsk, Lipetsk State Technical University, Doctor of Art Studies
https://orcid.org/0000-0002-7009-0414
Lipetsk, Lipetsk State Technical University, Doctor of Art Studies
https://orcid.org/0000-0002-7009-0414
Анотация: Judgment of the difficult cultural and art phenomena of the Soviet fine arts from Khruschev's "thaw" to Post-Soviet "decadence" went a long way for the last 30 years. Researchers stated extreme views, from banal ascertaining of the single phenomenon in the general context of the Soviet art of the sixtieth years, by fixing of its art value through concrete works in the seventieth and, finishing hot polemic in the late eighties - the ninetieth years. Quite considerable number of publications 1980 - 90 - x years in which the phenomenon of "severe style" is considered "under a microscope", obviously speaks about the deep and serious analysis of this phenomenon of the Soviet art in comparison with the previous decade of interesting searches of men of the seventies, for the period of "severe" which covered creativity. Persistent interest in the Soviet fine arts 60 – 70 - x for of the XX century is presently a natural consequence of change of cultural paradigms and shows confusion before diversity and diversity of the modern fine arts. Therefore, first of all, the ideological and art programs of "severe style" setting a vector of the movement from a publicistic expression in its early period to religious philosophically art judgment of problems of life in the next decades have to become a subject of a serious art criticism research.
Ключевые слова:
soviet art
socialist realism
severe style
men of the sixties
iconography
romanticism
Данные для цитирования:
P. Kozorezenko,
I. Orlov,
.
SOVIET PAINTING OF «SEVERE STYLE».PROBLEM HISTORIOGRAPHY (11-14). Восточно Европейский Научный Журнал. Искусствоведение. 2020/03/16;
54(7):11-14.