Архив в PDF формате
Дата публикации статьи в журнале: 2020/07/17
Название журнала: Восточно Европейский Научный Журнал, Выпуск:
58, Том: 4,
Страницы в выпуске: 13-15
Автор: Khulkar Khamroeva
, Uzbek State Academy of Choreography, Senior lecturer,candidate of philological sciences
, Uzbek State Academy of Choreography, Senior lecturer,candidate of philological sciences
Анотация: Khorezm has long been a land of science, enlightenment, literature and art. The people of the oasis are taking a bold step on the path of growth and development, drawing strength, encouragement, inspiration, creation and embodying such qualities as creativity, beauty and goodness from these cultural heritage and spiritual sources. The ancient dance "Lazgi" is an integral part of the rich spiritual and cultural heritage of the Uzbek people. There are 9 types and “Harmon lazgi” is based on the art of khalfa. It is known from history that our people have always strived for goodness, peace, harmony and brotherhood with other nations. Traditions, celebrations and ceremonies inherited from our ancestors, as well as songs and melodies clearly show the human qualities of our people. The art of Khorezm caliphate is one of the values that express the national identity in a unique way. It is known that this direction also played an important role in the art of singing, and the khalfas sang epic works, termas and lapars. This direction of singing was prevalent mainly among women, and those who sang in this direction were called khalfas. The word "khalfa" has different forms in different historical periods, and its lexical meaning means "singer", "leader". The article analyzes the root of "Harmon lazgi" - the art of khalfa.
Ключевые слова:
Khorez
“Lazgi”
Tuprokkala
women's party
khalfas
plates
harmonica
harmonica
lapar
cultural heritage.
Данные для цитирования:
Khulkar Khamroeva ,
Shukhrat Tokhtasimov ,
Sabina Khojieva .
THE ROLE AND SIGNIFICANCE OF NATIONAL VALUES IN NATIONAL DANCE (13-15). Восточно Европейский Научный Журнал. Культурология. 2020/07/17;
58(4):13-15.